1990-1998: The Last Days of Celluloid – Before the Coming of Digital.
- The Apple (1998) dir. Samira Makhmalbaf
Handheld camera
There are no actors playing the girl and the dad
“The film feels like an extraordinary intimate myth about modern parental love gone wrong”
- A Moment of Innocence (1996) dir. Mohsen Makhmalbaf
Films in a panning shot far away
Doubling back
Beautiful close-ups and hunting music
- Where Is the Friend’s Home? (1987) dir. Abbas Kiarostami
Kept the camera on the sideline
Was one of the greatest films and friendship and childhood
- And Life Goes On (1991) dir. Abbas Kiarostami
- Through the Olive Trees (1994) dir. Abbas Kiarostami
- Days of Being Wild (1990) dir. Wong Kar-wai
“Soft shadows, shallow focus, beautiful color”
- In the Mood for Love (2000) dir. Wong Kar-wai
Created one of the most striking personas in world cinema
- Irma Vep (1996) dir. Olivier Assayas
- A City of Sadness (1989) dir. Hou Hsiao-hsien
Holding a long shot holds some sort of tension
- Tokyo Story (1953) (introduced in Episode 3) dir. Yasujirō Ozu
Frames within frames
- Vive L’Amour (1994) dir. Tsai Ming-liang
Is about the loneliness n modern life
- Tetsuo: The Iron Man (1989) dir. Shinya Tsukamoto
- Videodrome (1983) (introduced in Episode 12) dir. David Cronenberg
- Tetsuo II: Body Hammer (1992) dir. Shinya Tsukamoto
Used 43 seconds of since framed images
- La Roue (1923) (introduced in Episode 3) dir. Abel Gance
- Ringu (1998) dir. Hideo Nakata
Colored navy blue
It was japans biggest ever internasal box office hit
- The Exorcist (1973) (introduced in Episode 11) dir. William Friedkin
- Ugetsu Monogatari (1953) dir. Kenji Mizoguchi
- Audition (1999) (introduced in Episode 4) dir. Takashi Miike
- Breaking the Waves (1996) dir. Lars von Trier
- Homicide: Life on the Street (1993-1999) dir. Tom Fontana
- Dogville (2003) dir. Lars von Trier (introduced in Episode 2)
The camera was really close to the actress. The camera was almost touched the actress
- La Haine (1995) dir. Mathieu Kassovitz
Shot in black and white
- Do the Right Thing (1989) (introduced in Episode 12) dir. Spike Lee
Used precise framing and bright color to showed that street life didn’t have to be handheld
- Humanité (1999) dir. Bruno Dumont
Shot in color
The camera is still
- Rosetta (1999) dir. Jean-Pierre Dardenne and Luc Dardenne
The filming idea was going to have the actress run hand have a handheld camera next to the actress
- Touki Bouki (1973) dir. Djibril Diop Mambéty
Old and new Africa in a single image
- Beau travail (1999) dir. Claire Denis
- Late Spring (1949) dir. Yasujirō Ozu
- Crows (1994) dir. Dorota Kędzierzawska
Uses old fashion almost square like frames
- Wednesday (1997) dir. Victor Kossakovsky
- 24 Realities a Second (2004) dir. Nina Kusturica and Eva Testor
The scene last almost 11 minutes
- Code Unknown (2000) (a.k.a. Code inconnu) (introduced in Episode 5) dir. Michael Haneke
- Funny Games (1997) dir. Michael Haneke
One of the actors rewinds the tv but the film itself rewinds, not the TV
- Persona (1966) (introduced in Episode 7) dir. Ingmar Bergman
One of the scenes, the films melts